I’m pretty emotional when it comes to movies. If there’s a sad scene, you can pretty much be guaranteed that I’ll cry. Listing all the movie scenes that set me off would take forever (honestly) so I’ve whittled it down to the top five scenes that make me cry. I mean, really sob. Ugly crying, you know. There are actually several scenes that qualify for this thingy too (although most sad movie scenes just make me tear up…still, if I’m sad enough to tear up, the scene has definitely touched me) so I’ve also based my picks on the scenes that have stuck with me the longest. Sometimes I’ll cry over a scene, and then not really think about if much afterwards (certain deaths in Downton Abbey come to mind) but these scenes are tried and true. And if I don’t end this post in a puddle of tears, it’ll be…
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DISCLAIMER AND SPOILER ALERT! This meme came through yesterday on The Verge, and I hesitated to post it. The reason: I am a fan of Quentin Tarantino, but there is one movie I have not seen: Jackie Brown. I assume at least one person gets killed in it, but I don’t want anything given away; as such, I have watched only the beginning and end of this video, so as to skip any Jackie Brown clips (it is in chronological order). And I had another, more personal reason for not posting it yesterday.
So — SPOILER ALERT! — you may not want to watch this video unless you’ve seen all of Tarantino’s movies. And DISCLAIMER — I can’t vouch for the quality or value of this video, but I would be remiss to ignore it. So watch at your own risk, and be prepared for a death-fest worthy…
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Note: This Week in the Box is a year-long series where Sam works through the entire Warner Brothers 50 Film Collection box set. To find reviews of the other films in the series and see the complete list, click here.
Note the Second: this post will contain spoilers for 2001: A Space Odyssey, as much as revealing the actual events can spoil anything in this strange, strange movie.
2001: A Space Odyssey is possibly the best regarded movie of all time that not a single viewer can entirely explain. We all seem to agree that it’s a masterpiece and there are certainly major touchpoints that everyone covers (the impersonalness, the masterful craft, etc). But anyone who claims to understand what it means once and for all, to the exclusion of all other interpretations, is selling something I just can’t buy.
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WAR PROPAGANDA: SUPPOSED ISIS BEHEADING OF AMERICAN JOURNALIST
Designed to stoke popular outrage and set stage for Syrian intervention
by KURT NIMMO | INFOWARS.COM | AUGUST 20, 2014
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The corporate media is employing adverbs – purportedly, seemingly, apparently – to describe the reported beheading of American freelance journalist James Wright Foley.
Fox News: “We need to go into Syria.”
Foley was reportedly abducted in Syria. Soon after his disappearance the Columbia Journalism Review said he was “almost certainly being held by the Syrian government in a detention center near the capital city of Damascus.” It was later said he was taken by ISIS, now known as IS, or the Islamic State.
On Tuesday a video was posted to Youtube allegedly showing Foley’s beheading. The video is titled “A message to America” and shows a man said to be Foley on his knees, dressed in an orange jumpsuit, next to a black-clad man British authorities believe is a Briton.
Photos and videos also appeared on Twitter accounts linked to IS groups.
“I call on my friends, family, and loved ones to rise up against my real killers, the US government, for what will happen to me is only a result of their complacency and criminality,” the man said to be Foley declares.
“My message to my beloved parents — save me some dignity and don’t accept any meagre compensation for my death from the same people who effectively hit the last nail in my coffin from their recent aerial campaign in Iraq,” a reference to the Obama administration’s token bombing campaign directed at IS in Iraq.
“I call on my brother John, who’s a member of the US Air Force, think about what you are doing.”
“I died that day, John. When your colleagues dropped that bomb on those people, they signed my death certificate.
“I guess all in all, I wish I wasn’t American.”
British Foreign Secretary Philip Hammond said the executioner in the video is probably a British citizen.
“On the face of it, it appears to have been a British person. We’ll have to do some more analysis to make quite certain that that is the case,” Hammond said.
The British Prime Minister David Cameron “cut short his summer vacation to return to London and chair urgent meetings on the threat posed by ISIS in Iraq and Syria,” according to NBC News.
Precisely Timed War Propaganda
The alleged beheading is now dominating the establishment news cycle, overshadowing events in Ferguson, Missouri. The media invariably engages in wall-to-wall coverage when a journalist is killed, especially in such a sensational and grotesque manner.
The alleged murder will undoubtedly be exploited by the state as it ramps up re-intervention in Iraq under the humanitarian banner. In the meantime, it is the responsibility of the corporate media to produce public outrage and further demonize IS, a paramilitary group created by the U.S. and its Gulf Emirate associates and trained by the United States military in Jordan.
“The extremists’ immediate goal was to use the shocking images to intimidate the Obama administration into halting U.S. airstrikes on ISIS strongholds in Iraq,” reports the International Business Times.
In fact, as ISIS undoubtedly knows, the exact opposite will occur – the United States and its partners will step up their bombing campaign, using the video as a convenient propaganda tool and capitalizing on popular outrage over the group.
The New York Post, owned by News Corp. magnate Rupert Murdoch, mustered its editorial board this morning and declared the “time for games is over” and the “horrific wake-up call” of Foley’s alleged murder demands military retaliation. “With American lives now being taken and even more at risk, America is now directly involved. No more playing footsie with butchers.”
Johan Galtung, a Norwegian sociologist and the principal founder of the discipline of peace and conflict studies, has described how the establishment media exploits violence to propagandize the foreign policy objectives of the state.
Manicheanism, the art of portraying one side as brutal and evil while the other is viewed as a chaste and innocent victim, plays a dominant role in war propaganda. This is the process we are now witnessing in regard to the alleged murder of James Foley.
The establishment media will continue to employ this tactic, along with decontextualizing the violence – dwelling on irrational emotional responses while ignoring the underlying reasons for violence and, in the case of ISIS, omitting the fact the group and its mercurial leader are largely a creation of U.S. intelligence and its partners.